The Soloist Cast: Tom Hollander
TOM HOLLANDER (Graham Claydon) grew up in Oxford, went to school locally
and read English literature at Cambridge. As a boy he was a member of the
National Youth Theatre and the National Youth Music Theatre. Spotted at the
Edinburgh Festival while still at school he played the title role in the
BBC children’s drama "John Diamond." At university, he was a member
of the Cambridge Footlights Revue, and played a much-celebrated "Cyrano
de Bergerac" for The Marlowe Society at the Arts Theatre.
His early career was primarily theater-based. In 1991, he was nominated for
the Ian Charleson Award playing Celia to Adrian Lester’s Rosalind in Cheek
by Jowl’s all-male production of "As You Like It." In 1992, he
won the same award for his performance as Witwoud in Peter Gill’s production
of "The Way of the World" at the Lyric Hammersmith. He went on
to play Macheath in "The Threepenny Opera" at the Donmar Warehouse
and then created the central role of Baby in the original production of Jez
Butterworth’s "Mojo" at the Royal Court Theatre.
This brought him to the attention of filmmakers Terry George and Jim Sheridan,
who cast him as the head of the Northern Irish Security Forces in the controversial "Some
Mother’s Son" opposite Helen Mirren and Fionnula Flanagan. He then returned
to the theatre to star in the title role of "Tartuffe" at the Almeida
for Jonathan Kent, for which he received a Best Actor Award from Time Out
and a special commendation from the Ian Charleson Awards. In 1997, he received
another special commendation for his performance as "The Government
Inspector," again at the Almeida and directed by Jonathan Kent. In the
West End and on Broadway he played Lord Alfred Douglas opposite Liam Neeson’s
Oscar Wilde in David Hare’s "The Judas Kiss."
After playing Saffy’s euro-trash fiancé in the final episode of "Absolutely
Fabulous," Hollander went on to star opposite Joseph Fiennes and Rufus
Sewell in the 1998 film "Martha, Meet Frank, Daniel and Lawrence." He
subsequently appeared in such features as "Bedrooms and Hallways," "The
Clandestine Marriage," Ben Elton’s "Maybe Baby," "The
Announcement," Michael Apted’s "Enigma" and Neil LaBute’s "Possession." He
also portrayed Osborne Hamley in the BBC’s "Wives and Daughters" for
Andrew Davies.
For Robert Altman, he played the long-suffering Captain Anthony Meredith
in "Gosford Park" and appeared opposite Bill Nighy in Neil Hunter
and Tom Hunsinger’s celebrated "The Lawless Heart."
Hollander returned to the stage to play the title role of Moliere’s "Don
Juan" at Sheffield’s Crucible Theatre for Michael Grandage. It was followed
by playing Edgar in "King Lear" opposite Oliver Ford Davies in
Jonathan Kent’s final production at the Almeida Theatre. He then portrayed
King George V in Stephen Poliakoff’s BBC Emmy Award-winning "The Lost
Prince," and the infamous Guy Burgess in the BBC’s four-part drama "Cambridge
Spies," for which he won Best Actor at the International Television
Awards in Biarritz.
In 2003, Hollander appeared in "Stage Beauty" directed by Richard
Eyre, with Billy Crudup and Claire Danes. The same year he played Laurie
in the Donmar Warehouse’s revival of John Osborne’s "Hotel in Amsterdam" directed
by Robin Lefevre.
Hollander received a British Independent Film Award nomination as Best Supporting
Actor for his performance as George Etherege opposite Johnny Depp in 2004
in "The Libertine." For his performance as The Reverend William
Collins in director Joe Wright’s "Pride & Prejudice," he won
the Evening Standard’s Peter Sellers Award for Comedy and Best Supporting
Actor from the London Critics Circle.
For Ridley Scott he played Charlie in "A Good Year" opposite Russell
Crowe. For Scott’s company Scott Free, he has recently completed the role
of Adrian Philby in TNT’s CIA-drama "The Company."
For director Gore Verbinski, he recently appeared as Lord Cutler Beckett
in both "Pirates of the Caribbean: Dead Man’s Chest" and "Pirates
of the Caribbean: At World’s End" starring Johnny Depp. He also appeared
opposite Cate Blanchett and Samantha Morton in Working Title’s "Elizabeth:
The Golden Age," and most recently appeared to critical acclaim at The
National Theatre in Roger Michell’s production of Joe Penhall’s new play "Landscape
With Weapon."
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